#Mainstage 3 set harp pedals how to
#Mainstage 3 set harp pedals Patch

The pedal harp began to be introduced throughout Europe, finding it’s greatest popularity in Paris, where the manufacture of the instrument achieved further refinement.

“By 1720 the number of pedals was increased to seven, one for each note in the diatonic scale”.

#Mainstage 3 set harp pedals how to

In the next blog posts, I will describe how to configure other Amp Sims.The pedal for the harp was first developed in the late 1690s/early 1700s as a mechanism to link the hooks on a hook harp to pedals (hooks were a precursor to levers on non-pedal harps, turned to change the pitch of a string). This way, having only two buttons physically available, we can use any number of configurations switching between the entire groups, not just turning individual effects on and off. Having these four programs defined, we can move between them up and down, thanks to the function available in the MIDI controller: (Don’t forget to set the subsequent “Program Change” number for each Patch)

#Mainstage 3 set harp pedals Patch

In addition, you can duplicate these Programs again, and in each Program set whether overdrive is enabled or not: Patch Proceed in the same way as in Approach 1, assigning the expression pedal to different effects in each Patch - wah‑wah or whammy, while setting one of them on and the other off: Patch (I described the “Program Change” message in more detail here) Then, in the Patch Settings, change the Program Change number that will activate this Patch: a Patch, is a whole group of effects and their settings.Īfter adding the whammy effect to the Patch, duplicate it. To avoid this and use only the equipment we have, we can apply one simple trick - switch between entire Programs.Ī Program, i.e. In the standard approach described above, we would have to buy a second expression pedal, a second footswitch, and an additional MIDI adapter. We also want to turn it on and off and control it using the pedal. Approach 2Īdd the whammy pedal to the Approach 1 configuration. Proceed in the same way by assigning and mapping both footswitch buttons to toggle the wah‑wah and overdrive effects on and off. The new Assignment is now fully configured:įrom this moment, each time you depress your pedal, you will hear the wah‑wah effect. In the “Control Inspector” view below the “Assignments & Mappings” view, under the “Unmapped” tab, there is a list of possible parameters to be mapped:Ĭlick: Your strip name ► Pedalboard ► Wah‑Wah Slot ► Pedal Position You are done with the “Assign” operation, now let’s move on to the “Map” procedure. Press the button on the footswitch - this way you will assign a MIDI event to this Assignment.Ĭlick the red “Assign & Map” button again to deactivate “MIDI Learn” mode. Click on this button to activate “MIDI Learn” mode (the button turns red): Make sure you have the “Selection follows incoming MIDI” option selected.Ĭlick on the newly created Assignment to make the “Assign & Map” button enabled. Once you have your MIDI foot controllers ready, open your MainStage Concert in “Edit” mode. You want to turn each one on and off using the footswitch and control the wah‑wah effect with the pedal.Īs for hardware, you need one regular expression pedal, one double footswitch, and one USB MIDI adapter or the autonomous MIDI pedals EX3 and FS3. Suppose you only have the overdrive and wah‑wah effect on your pedalboard. I will start with a very simple example to demonstrate the standard approach, and then show you how to use the minimum amount of equipment (only 2 buttons and one pedal) to set and control any number of effects in MainStage 3. In this blog post, I will describe how to control Apple MainStage 3.

After a brief introduction on controlling Amp Sims using foot controllers, let’s move on to the details.